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I cannot open camera raw in my Photoshop CS5. You explained how to do in in Bridge, should I assumed it is the same for photoshop? Please help as I take all my pics in jpegs and raw. The Photoshop Camera Raw plug-in became the latest must-have tool for professional photographers when it was released in February 2003. This powerful plug-in has been frequently updated to support more cameras and include more features and is available as part of Adobe Photoshop CS5. The Plug-in for Photoshop CC, SIGMA X3F Plug-in for Photoshop® for Windows and Macintosh, is now available for download. X3F files of the DP Merrill series, dp Quattro series, SD1/SD1 Merrill and sd Quattro series cameras can now be developed once this plug-in is installed in Photoshop CC.

Adobe Adds Support for New Digital Negative Specification in Updated Camera Raw Plug-in For Photoshop CS
(Press Release)
Adobe Systems Incorporated (Nasdaq:ADBE) today announced an update to the Camera Raw Plug-in, extending raw file support in Photoshop® CS to more than 65 digital camera models and enabling Photoshop CS to handle files in the new .DNG format, also announced today. Available as a free download from Adobe's Web site, the plug-in builds on the raw file functionality already available in Photoshop CS, adding new support for the latest digital cameras from leading manufacturers, such as Canon, Epson, Fujifilm, and Nikon.
Raw files, which contain the original information captured by a camera sensor prior to any in-camera processing, have become popular in recent years, due to their promise of greater flexibility and image quality. Adobe™ Photoshop pioneered the integration of raw files directly into digital imaging workflows through previous plug-in releases and by integrating raw file functionality into Photoshop CS. The company today also launched a free software tool, the Adobe DNG Converter that translates the raw formats supported by Photoshop CS and the Camera Raw Plug-in into the new .DNG file format (see separate release). Adding .DNG support allows Photoshop CS users to work with files created with the new DNG Converter - giving them a single unified file format in which to archive their raw files.
'Raw formats are important to professional photographers and Photoshop has been at the forefront of integrating raw files into digital imaging workflows,' said Bryan Lamkin, senior vice president of Digital Imaging and Digital Video products at Adobe. 'The latest release of our Camera Raw Plug-in supports .DNG, a significant development that will future-proof raw files for archiving and further support raw files as a preferred workflow for creative professionals who value precise control over images.'
Pricing and Availability
The new cameras supported by the Camera Raw 2.3 Plug-in are the Canon PowerShot S60, Epson R-D1, Fujifilm FinePix S20 Pro, and Nikon Coolpix 5400. The plug-in supports Photoshop CS customers running Mac OS X 10.2.4 and higher, Microsoft® Windows® 2000 with Service Pack 3, and Windows XP. In addition, the recently announced Photoshop Elements 3.0 directly supports all cameras included as part of this announcement, as well as all previously announced camera models. The new Camera Raw plug-in can be downloaded immediately, free of charge, by going to the Adobe Web site at: www.adobe.com/cameraraw.
About Adobe Systems Incorporated
Adobe helps people and businesses communicate better through its world-leading digital imaging, design and document technology platforms for consumers, creative professionals and enterprises. Adobe's revenue in its last fiscal year exceeded $1.2 billion. For more information about Adobe, visit www.adobe.com.
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See our Photoshop CS5 Resource Center for Free Photoshop CS5 Tutorials, and the Free Photoshop CS5 Trial Download. See our Photoshop CS4 Resource Center for Free Photoshop CS4 Tutorials.
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Adjusting Exposure in Adobe Camera Raw CS3
Photoshop CS3 Tutorial High Dynamic Range

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Home > Articles > Design > Adobe Creative Suite

1. Why use Camera Raw?

Using the powerful controls in the Adobe Camera Raw plug-in,^*you can apply corrections to your photos before opening them into Photoshop.

In this chapter, you’ll learn how to open digital photos into the Camera Raw dialog (called “Camera Raw,” for short), and then use the many tabs in Camera Raw to correct your photos for under- or overexposure, blurriness, color casts, poor contrast, and other defects.

Why use Camera Raw?

Whereas amateur-level digital cameras store images in the JPEG or TIFF format, advanced amateur and pro models offer the option to save images as raw data files, which has substantial advantages. The camera applies internal processing to photos captured as JPEG or TIFF, such as sharpening, setting the white balance, and making color adjustments. With raw files, you get only the original raw information that the lens captured onto its digital sensor, leaving you with full control over subsequent image processing and correction. Each camera manufacturer creates its own variation of a raw file. (For a further discussion of raw files versus JPEG and TIFF files, see page 61.)

These are some of the advantages to using the Camera Raw plug-in:

• Camera Raw processes raw photos from most digital camera models, as well as digital TIFF and JPEG photos.
• Camera Raw offers powerful controls for adjusting the exposure, color, tonal range, noise, and other characteristics of your photos, and you can monitor the corrections in a large preview.
• For raw files, Camera Raw edits (stored as instructions) are saved in either a separate “sidecar” file or in the Camera Raw database. For TIFF and JPEG files, the instructions are saved in the photo file. When you open a file from Camera Raw into Photoshop, regardless of the format, the instructions are applied to a copy of the file, and the original digital file is preserved.
• You can convert your photos to some standard formats (e.g., PSD, JPEG) through Camera Raw, or you can change their format in Photoshop.

  Note: Don’t confuse the raw files that a camera produces with Photoshop Raw, which is one of the choices on the Format menu in the File > Save and Save As dialogs in Photoshop.

More reasons to use Camera Raw

In case you’re not fully convinced, we’ll outline some compelling reasons for using the Camera Raw plug-in instead of opening your digital photos directly into Photoshop. It offers powerful and unique controls that you won’t find in Photoshop.

Raw preview: The only way to preview a raw photo is through a raw converter, such as Camera Raw. (The image you see on your digital camera’s LCD screen is based not on the raw capture, but on the JPEG preview that accompanies the raw capture.)

Less destructive: Exposure, white balance, color, and other corrections made in Camera Raw cause less destruction to a photo than adjustment commands in Photoshop. The goal, when applying corrections, is to cause as little destruction as possible while preserving as much original data as possible.

16 bits per channel: To preserve the full tonal range of a raw photo, you can use Camera Raw to convert it to a 16-bits-per-channel file. Having more original data at the outset helps offset the data loss from image edits made in Photoshop. The end result is a better-quality photo.

Tonal redistribution: A bonus feature of Camera Raw is that it fixes a problem inherent in all digital photos: the fact that the digital sensor in a camera records data in a linear fashion. The sensor captures the existing range of tonal values in a scene as is, without skewing the data. More data is used to capture light values than dark values. A The human eye, however, is more sensitive to lower light levels than to higher light levels. That is, we’re more likely to notice when shadows lack detail and less likely to notice extra details in the highlights.

By shifting data into the midtone and shadow ranges, Camera Raw produces a photo that more closely approximates human vision. B When a photo contains insufficient data in the shadow range, tonal adjustments made in Photoshop will cause posterization and a noticeable loss of detail. With its extra data in the midtone and shadow ranges, a photo converted by Camera Raw will be better equipped to withstand those Photoshop edits.

Noise reduction and sharpening: Not to knock Photoshop, but the noise reduction and sharpening features in Camera Raw are easier to use, less destructive, and more effective than similar commands in Photoshop.

You’re halfway there: You will be able to build on the skills learned in this chapter, because the Camera Raw controls that you’ll use to correct the tonal and color balance in your photos are similar to many of the adjustment controls in Photoshop that you will learn about in later chapters (such as Levels, Curves, and Hue/Saturation).

The skinny: To correct and enhance digital photos in preparation for further edits in Photoshop, Camera Raw is an ideal launch pad.

Raw, JPEG, or TIFF?

In addition to raw files, photos that a camera saves in the JPEG or TIFF format can also be opened and edited in Camera Raw. Although more Camera Raw features are available for raw photos than for JPEG and TIFF photos, if your camera doesn’t shoot raw photos or you acquire JPEG or TIFF photos from other sources, you can still use most of the Camera Raw features to process them.

Camera Raw Plugin For Photoshop Cs5 Download

Unfortunately, Camera Raw can’t correct deficiencies in digital JPEG and TIFF photos as fully as it can in raw photos, for several reasons. First, JPEG and TIFF photos have a bit depth of only 8 bits per channel, unlike raw photos, which have a bit depth of 16 bits per channel. Second, color and tonal processing is applied to JPEGs and TIFFs by the camera (“in camera”). Camera Raw must reinterpret this processed data, with less successful results than when it has access to the raw, unprocessed data. And finally, the editing instructions are saved in the files themselves (processing is applied when the files are opened and saved in Photoshop), not in the sidecar or database file, as is the case with raw files. Nonetheless, you can use the many outstanding correction and adjustment features in Camera Raw to improve your JPEG and TIFF photos.

Camera Raw Filter For Photoshop Cs5

Note: In this chapter, we focus only on processing raw and JPEG files in Camera Raw — not TIFFs. The JPEG format is mentioned only when a particular feature treats JPEGs differently from the way it treats raw files.