Mastering the Piano Roll is essential to creating great melodies in FL Studio.

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When inspiration strikes, it’s important to be able to quickly sketch out your ideas.

• If your CPU load climbs too high, you will hear clicks, pops or stuttering in the live audio. This is known as a buffer underrun. The good news is, CPU load can be lowered if you take the time to make some adjustments to FL Studio as shown below. Why do underruns happen?
• As for user-interface, Avid Pro Tools looks as impressive as FL Studio. However, as a beginner, you may have to go through a steep learning curve. But once you have gone past the learning phase, you will love to use it. One of my favorite features of this DAW is the direct HD video workflows that bring both fun and flexibility into the mix.

The last thing you want is to waste time clicking through menus when you have a melody in your head…

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This post will help you compose MIDI more efficiently.

Here’s a list of the most essential FL Studio shortcuts for the Piano roll:

List of Essential Shortcuts

• Highlight all notes (Ctrl + A)
• Copy/paste your selection (Ctrl + C/Ctrl + V)
• Duplicate your selection to the right (Ctrl + B)
• Deselect the highlighted notes (Ctrl + D)
• Transpose selection up/down 1 octave (Ctrl + Up/Down)
• Transpose selection up/down 1 semi-tone (Shift + Up/Down)
• Shift selection left or right (Shift + Left/Right)
• Toggle ghost channels on or off (Alt + V)
• Quantization (Ctrl + Q)
• Quick Chop (Ctrl + U)

Continue reading for details on each FL Studio shortcut.

FL Studio Shortcuts

Highlight all notes

Ctrl + A

Selecting notes in the Piano roll is slow.

Normally, you would click and drag your mouse across all the notes you want to highlight.

And if your screen isn’t large enough, you would have to scroll to capture all the notes…

This shortcut eliminates all that wasted time by selecting all the notes in the Piano roll.

Then you can apply whatever changes you want to make at once.

Copy/Paste your selection

Ctrl + C & Ctrl + V

These shortcuts are basic – the same across the operating system – but they’re still essential.

Use Ctrl + C to copy your selection to the clipboard, and use Ctrl + V to paste the selection at the marker.

These shortcuts will probably be some of your most used when you need to quickly apply notes in the Piano roll.

Duplicate your selection to the right

Ctrl + B

Similar to the Paste command above, this is another essential shortcut.

Instead of pasting a selection at the marker, this shortcut will duplicate your selection to the right.

This is useful for copying notes to extend the region.

Then you can make changes to the duplicated section using the original section as a reference.

It’s also a quick way to loop a selection of notes without looping the region in the Playlist.

Deselect the highlighted notes

Ctrl + D

When you’re finished editing your selection, you’ll need to deselect it.

Use the Ctrl + D shortcut to deselect your selection.

This is a good shortcut to remember if you find yourself accidentally creating a new note in the Piano roll when attempting to left-click to remove a selection.

Transpose selection Up/Down 1 Octave

Ctrl + Up/Down Key

When working with MIDI notes, this shortcut will transpose your selection up or down by octave.

You might use this shortcut to develop bass lines for your melodies, or vice versa.

This is a great way to experiment with your notes.

Transpose selection Up/Down 1 Semi-tone

Shift + Up/Down Key

Similar to transposing by octave, this shortcut will transpose your selection by semi-tone.

Sometimes, while composing, you’ll need to experiment to find the right notes.

You can use this shortcut to quickly transpose your selection as you loop a section.

Shift selection left or right

Shift + Left/Right Key

This shortcut will help you shift the selection left or right in the Piano roll.

It’s especially useful when creating melodies.

You can take your selection and shift it left or right to change the rhythm, or to create new patterns.

Toggle ghost channels on/off

Alt + V

This shortcut will toggle the ghost notes feature on or off.

What are ghost notes in FL Studio?

Ghost notes are guides that show semi-transparent notes from another channel in the Channel rack.

They’re used so that you can see what notes another instrument is playing in the same pattern. This is helpful when you’re layering instruments together.

Turn them on or off with this shortcut so you can reference other MIDI channels.

Quantization

Ctrl + Q

This shortcut will automatically quantize your selection.

What is quantization in FL Studio?

Quantization is a feature that adjusts your notes to the nearest beat of your timeline.

It’s used to ensure that the notes you’re using are perfectly in rhythm.

Use this shortcut for a quick way to keep your notes in rhythm.

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Quick chop

Ctrl + U

This shortcut will automatically chop your selection using the Quick chop feature.

What is Quick chop in FL Studio?

Quick chop is a feature that automatically slices your note selection into 1/16th notes.

Use this feature when working with percussive elements, like hi-hats, to make quick slices.

This will help you build your patterns faster and easier.

FL Studio is very flexible in the way you can work with it when mixing. With its channels and mixer insert tracks, you can build up quite complex mixes. Let's look at some tips and tricks on how to get the most out of FL Studio when you mix your tracks.

Tip 1 - Route Your Channels to Dedicated Mixer Insert Tracks

With FL Studio you can route any channel to any insert track in the mixer. This is nice in that you can customize your channel layout in the mixer by determining which channels go to which track. With each channel going to a dedicated mixer insert track, you can apply individual effects to each track.

To see what track a channel is routed to, first select the track by clicking on it in the Step Sequencer window. This will open up the Channel Settings window for that track and in the top right-hand corner you'll see a box labeled FX. This shows which insert track the channel is routed to. You can change the routing by dragging up or down. Notice how the track selection of that channel changes in the Mixer window.

Tip 2 - Summing Channels to Mixer Insert Tracks

You can use this channel/track flexibility to your advantage. Let's say in your song you've added three different types of bass instruments to three channels. But it's getting a bit tedious jumping between each track to process and edit the bass sounds. Route the different bass tracks to the same mixer insert track. So you'll be summing these bass channels to one insert track. This way you can apply processing to this one mixer track, and it'll be applied to all the bass instruments as a whole. This is a great way to gel similar instruments together and simplify your mixer window.

Tip 3 - Setting Up a Reverb Send

Send effects are great in that it allows you to apply an amount of one effect across all the tracks. Let's see how this is done. First insert a Reverb effect on one of the Sends. Insert an instance of Reeverb 2 on Send 1 and make sure the Wet signal is set to 100% and the Dry to 0.

Now select the track you want to apply the reverb on, then jump back to the Send track. Turn up the rotary knob just under the volume fader. This will increase the amount of signal that is sent from the track to this send.

Now select another track, and then go back to the Send reverb track. You'll see that the rotary knob is at zero again. Increase this to apply the send reverb to this track. This is where it can get a bit confusing. In other DAWs, there is a dedicated send level on each track. In FL Studio, each time you select a track the dedicated knob for that track is found on the Send track. Sends work really well as it's less taxing on your CPU because you don't have to insert an instance of the same plug-in on each track.

Another thing to point out is that in FL Studio any track can actually be a send. You don't have to just use the assigned send tracks. This is achieved through FL Studio's inter-track routing. Simply route a track to another track, and this becomes the send track. The labeled send tracks are there for backward compatibility with older FL Studio projects. In the next step let's take a look at how to route tracks around.

Tip 4 - Creating Sub Mixes

In the Mixer you can also route track to other tracks. By default each track is routed to the Master track. When you select a track, you'll see an orange arrow under the fader on the Master Track, indicating that this track is going out to the master track. If you click on this arrow it'll bypass the track going to the output and you'll no longer hear it on the master output. Click it again and you'll hear the track through the master output.

But what if you wanted this to go out to another track. For example, let's say you wanted to route your drums to another track so that you can adjust the volume of all the drums with just one fader. First select one of your drum tracks and click on the orange arrow on the master track. This will bypass that track being routed to the master track output. Then go to an empty insert track and click the arrow under the volume fader. Now this drum track is routed here. Do the same with your other drums tracks. Rename this new submix track to Drums. Right-click the track and choose Rename, or use the shortcut F2. Now you can control the volume of all your drum elements with just one track.

You can even add other effects on this track to process all the drums. Maybe you want to add a compressor to compress all the drums, and then maybe an EQ which will alter the drums as a whole. This way you can add individual effects to each drum, plus add effects on the submix track where they're all routed to. Giving you much more possibilities on how to mix your songs. Group similar elements together and then route then to an insert track so that you can edit and process those elements with one single track.

Tip 5 - EQs and Frequency Analyzers

For EQs I'd highly recommend using the Fruity Parametric EQ2 to your tracks. It's a 7-band parametric EQ. You can choose different EQ curve shapes for these bands, and it has a great frequency analyzer that is very handy when you want to see what frequency areas that particular track is taking up. There is increased activity in the bands that are colored orange/red/ and less in the areas that are purple/blue in color.

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To get a higher quality spectrum view on the Parametric EQ2, make sure to click on the HQ button to active this.

Another great spectrum plug-in is Wave Candy. This has Oscilloscope, Spectrum, Meter, and Vectorscope views to help you analyze your audio.

Tip 6 - Parallel Processing

Parallel processing is where you mix a dry signal with a wet signal. This way you get the original audio blended with the processed audio. And this can be done very easily in FL Studio. Next to each insert there is a dry/wet dial. Tweak this to change the amount of dry versus wet signal. This works very well with drums. On your drums, add a compressor and dial in a very heavy compression setting like a ratio of 20.1:1, have a very short attack and release, and drop the threshold down to about -40. This will be heavily compressing your drums. Now balance the dry with the wet. There you go that's how easy it is to do parallel compression in FL Studio.

Tip 7 - Add Interest with Automation

Automation can really bring your tracks to life, and this can be done very easily in FL. You can automate any parameter. Simply right-click on a parameter, and then choose create automation clip.

Now when you jump across to the Pattern Editor. You'll see a new Clip lane for that automation. So go in and do some volume automations, or reverb send automation to add some variance in your tracks.

Tip 8 - Limiting Your Audio

If you want to add extra loudness to your audio so that it compares with other commercial releases, then add the Fruity Limiter last on the Master Inserts chain. This will allow you to increase the level of your audio, and at the same time you can set a ceiling so that it doesn't clip. Set the Ceil to -0.3 dB, and increase the Gain to somewhere between 3-5 dB to give you that much more loudness. What's also good is to add the Fruity dB Meter after the limiter just to check how this has pushed up your audio. But no matter how hard you push it, if you have the ceiling set at -0.3 dB it'll never go over that.

Tip 9 - Changing Effects Order

This is a very quick tip, but super helpful. If you want to change the order of your effect, place your mouse over the effect you want to move, and then use the scroll wheel to move the effect either up or down the inserts chain. Maybe you want your EQ to be placed after your compressor. Different effects chaining orders can have different results on your audio, so keep this in mind.

Tip 10 - Handy Export Options

There's some very handy export options. You can choose to zip your project. If you want to collaborate with another FL user, zip up your project, copy this onto a hard drive, then take it to their setup and load up your zipped project.

You can also choose to export out your mixer tracks as separate tracks. This is handy if you're going to be moving your project to another DAW. Maybe you're getting someone else to mix your song. Split up the tracks, and then bring then into the other DAW to mix.

Conclusion

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So there's 10 helpful tips you can use to make the most of FL Studio when you get into mixing your songs. The Mixer window is very flexible with its channels and insert routing, and the FL plug-in can really help beef up your mix.

For further FL Studio Tips and Tricks check out this video course:

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